Bird by Bird by Anne Lamott

41yP7zqWI8L._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU15_I know I am by no means the first to cheer this wonderful book about writing and life and joy and jealousy and competitiveness and outgrowing that and love and loss. It’s one of the MUST READ books in any writer’s (or person’s) collection.

But I had it out last night for some inspiration and came across the lines below and they made me laugh out loud. She’s commenting about how she takes index cards with her everywhere to note down things since she (like me and many of us) forgets them unless she does. I know I travel with piles of little notebooks to write down little phrases and such. (I hear you can also do it on Evernote but my battery runs down with astonishing regularity and there’s nothing to beat a pencil and paper in the rain.) She’s figured out how to fold the cards and her pencil so she doesn’t look bulky, even.

But here’s what she says about this need to write things down:

I think that if you have the kind of mind that retains important and creative thoughts – that is, if your mind still works – you’re very lucky and you should not be surprised if the rest of us do not want to be around you. I actually have one writer friend - whom I think I will probably be getting rid of soon – who said to me recently that if you don’t remember it when you get home, it probably wasn’t that important. And I felt eight years old again, with something important to say that had suddenly hopped down one of the rabbit holes in my mind…

Emphasis mine. How wonderfully witchy of her!

That’s the thing about writing. Because no one really KNOWS how it’s done, we’re all out here in the wilderness stumbling along, and the slightest little thing can make us feel eight again and hushed up again and told to stop that talking and shouldn’t you be doing something constructive? again.

Reading Anne Lamott brings me back. I may be only eight with little to say, but at least I have a friend here, and perhaps we can play with our word blocks together.

Come join us, if you haven’t already. Anne Lamott also writes great books on faith and life and so forth – depending on your religious stance, these may or may not be for you – but in all things she comes across as a gal I’d love to have a lemonade with and laugh til our stomachs ached.

And then we’d write. And write. And write.

Last lines…

Everyone talks about the importance of the first line in your story, long or short, but there is often such grace in the last line that they need to be mentioned.
The last line can give you a punch, a feeling of “whoa!”, and last lingering taste of the story, that makes it live in your head long after you are done.
The short story “How Far She Went” by Mary Hood, as featured in Janet Burroway’s “Writing Fiction” (2nd edition, pp. 207-213) is an excellent example. The story itself is filled with imagery, familial history, danger, and sadness. It concerns a rebellious teenager who has been left at her grandmother’s by her father. The entire story is worth a read, but my breath caught in my throat when I read this last line:
“The girl walked close behind her, exactly where she walked, matching her pace, matching her stride, close enough to put her hand forth (if the need arose) and touch her granny’s back where the faded voile was clinging damp, the merest gauze between their wounds.”
The whole story, the girl’s turnaround, the meat of what happened, is captured in that line.
The more I read it, the more it hits me. Not a word too many, or a word too few. And yet, everything.

How do you know when it’s ready?

41vZycAOEfL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_I’m delighted to report my wonderful, smart, and confident niece has written and self-published her first book and is now marketing it to bookstores in her area, as well as on Amazon. It’s called “Crescent” and I’ll link to it here.

When I first heard about this, though, I was startled to find in my heart a bit of anger. I was frustrated – I don’t have a book yet myself, and yet I’ve been “working” at writing for some time (though procrastination seems to be my main output). The things I do write, people tell me, are good. Why don’t I send them in for publication?

Where does that niece of mine get her confidence? I’ve never ever been that confident in my entire life. Was it my mother’s fault? My English teacher’s fault? (She told me a story I sweated over to write for my parents as a Christmas present was trivial and derivative) (It probably was but I cried buckets writing it and my parents cried even more reading it, so there!) My ex? There must be someone I can blame, surely.

Facebook doesn’t help. Everyone is writing books and books and more books and I am smothering in the weight of all those books published when mine are not.

It’s not like I haven’t been published before  – for a while there I was making a pretty good income from writing. I’ve been on CBC’s Sunday Edition, I’ve got publications in humour, non-fiction, poetry, fiction, even the Oxford Companion to Medicine.

And yet I hesitate. I have turned myself into one of those things I promised myself I would never be, the dilettante writer. The wanna be. The liar.

And so I heap more scorn on myself and freeze myself into even greater immobility. It’s ridiculous, but I can’t seem to stop myself.

Nor can I stop myself from writing.

“If you have any young friends who aspire to become writers, the second greatest favor you can do them is to present them with copies of The Elements of Style. The first greatest, of course, is to shoot them now, while they’re happy.”
― Dorothy ParkerThe Collected Dorothy Parker

Ah, so true. But there is joy to be had in writing – the joy of seeing things more clearly, of being more present in this world, of delighting in all those other really good books out there (we really don’t need another one, I tell myself in my dark heart…) because we’ve struggled to get things just right ourselves.

I’ve restarted The Artist’s Way by Julia Cameron in an attempt to jumpstart my mind, and am working on a few things that have deadlines so that is a good thing. I love deadlines. I’m waiting to hear about a couple of submissions, hoping things go well. I’m doing the 3daynovel thing again this year, working on a mystery plot.

I’m wishing my niece well with her book, which is really quite good and you should all buy it. But that initial anger I felt – I’m hanging on to that, too, because it might just push me over the hump to get my stuff done, too.

Connecting with your inner wild thing

WildThingEver since I got this darn disease, I’ve been surrounded by people who want me to be careful, take it easy, look after myself, rest. I appreciate their looking out for me, and my friends have graciously supported me and saved me from errors, but it’s the general run of noise from strangers that makes me want to gnash my teeth.

You parents know what I’m talking about. One hint of a baby lump and immediately everyone on the planet knows how better to manage your life, your pregnancy, your parenting, heck, even your breathing.

But inside me, there’s a wild thing trying to get out. Occasionally I do silly things, like put in offers on cottages I well know I would be unable to maintain or afford. Other times I throw myself at projects and such and it all works out okay, even though it doesn’t look like a good thing at the start. I can never predict how things will go.

But if I stop throwing myself at these things (and throwing IS the operative word), I start to lose what makes me, me. A certain insouciance, a devil-may-care attitude, a cheerfulness, a bizarre sense of optimism.

I think a lot of writers share this mind-set – else how could we sit down day after day in a world filled with arguably excellent books and try to put our words together in some sort of way that says something different from what has already been said, a thousand times before? It’s a madness. It takes wilful blindness to the foolishness of our quest.

It takes our wild thing to come out and play.

And who’s to say we won’t write something brilliant and utterly inescapably an addition to the literary canon? Or maybe write an adventure that takes someone out of their nine-to-five lives for a moment and lifts their souls. Or thrills them and sets them off in a new direction? Or frightens the bejesus out of them?

Well, all those nay-sayers will say those things. They’ll tell us to do something else, rest, give up. “Why do you need to write?” they ask.

And that’s when we set our wild things on ‘em…

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So, how do you DO a good murder (story) these days, anyway?

I remember once having a lengthy and somewhat gruesome chat about how you would dispose of a body in these recycling focused days. Would you drop it by the medical school? Dissect it and put the hip joints and such in either the plastic or metal recycling containers? Take the head and the mercury fillings to the harmful waste dump day?

It’s a conundrum.

Likewise, how do you learn to write about murder most foul? Merely calling up your local cop shop and asking for tips  might lead to awkward questions and notes home from school asking you to please not offer to chaperone the next field trip. Calling a local psychiatrist and pretending to be a psychopath isn’t recommended, either – unfortunately, so much psychiatry is based on first impressions you might end up with way too much time to write and too many drugs to be coherent.

The obvious choice is to read read read read mysteries, following the excellent (if somewhat dry) Francine Prose’s guidelines to Reading like a writer. Well, I’ve done that, and I have a problem with that approach.

If the mystery is good, I get all wrapped up in the story and race through, barely noticing the plot techniques while I get pulled along. If it’s bad, I only notice the things that hold it up, ruin the credibility.

OHI0129-CritiqueRule1I remember once being so disenchanted with a book that I dropped everything to see if the plant the author had described actually grew in the place she’d put it. (It didn’t).

I know a book has missed the mark for me when I get that fussy.

So I take courses, rub up against “real” writers, shop my stuff to contests and unsuspecting friends, try to get critiqued. This last bit is harder than it looks. Even in writing groups, there’s the tendency to be nice.

Or horrified.

One of my stories involved a pedophile that I apparently described so well that people didn’t want to read my stuff anymore. So I had to play nicey nicey and write nicey stuff for a bit.

Inside, the seething dark looms.horrifiedwoman

So, instead, I send things to contests. The ones that give you feedback. I figure I’m paying someone my entry fee to have a close, uninvolved reader have a look.

Sometimes the feedback is useful, sometimes it’s just a line or two.  Sometimes it is harsh, sometimes it’s helpful. Lately, I’ve had the opportunity to turn it around and offer my comments on other’s writing. I can only hope I’m the helpful type.

In the meantime, I’ve had help from:

Gotham Writer’s Workshop

Crime Writers of Canada

Sisters In Crime

Bloody Words

Canadian Authors Association

and my favourite resource for ways to kill people and those awkward dinner table silences:

D.P. Lyle. Check out his books. Best way to find stuff out without getting asked questions you can’t answer…

Don’t ever get old: review

cover14292-mediumWhew. In the first pages excerpt of this book (available online from NetGalley) so much is told, so much is started. I am awash in books to read and yet I’ve put this one on my “to grab soon” list. Friedman can write, powerfully, and I’m dying to see if the rest of the book pans out.
Though I have to say I am building up a resistance to the following: Thrillers involving Nazis; anything involving autism; anything involving children being put in harm’s way; more stories about the Great Wars that focus only on the American/British side of things. Or the French Resistance. Or anything with the words “50 shades of …” in the title. Or female porn loosely written up as if it was a good, mind-nourishing tale of female submission and torture.

This book looks like it might have two of my resistance items. But it also has one of my favourite things – a crusty old main character, who isn’t any better than he should be, who is a bit selfish and crabby and still holds grudges. I love characters with grudges.

I’d have a lot of them, myself, except for the memory loss I’ve suffered with MS.

But grumpy I can do. So I want to hear what this fellah Buck Schatz (even love the name) gets up to. Must go round up the whole book.

When you’re down, and troubled, and you need a helping hand…

I am such a fortunate bunny.
In my life, I’ve had the chance to meet several of what I would call “Kindred Spirits” – the old Anne of Green Gables kind, those folks who get you and support you without question but also with wisdom, who dare to tell you they think you are on a wrong path but are willing to support your choice to follow it anyway.
It’s highly splendiferous.
I’ve chatted with a few of them over the past days and I am endlessly grateful for them.

And then there are those friends you meet through writing and reading.
I’ve spent the last few days immersed in Louise Penny‘s wonderful “A Trick of the Light”. I adore her mysteries, set in Three Pines. The characters are all so human, the stories gripping, yes, but it’s the development of the characters in them that makes for the type of book that you sigh at when you reach the end.
Louise Penny has a blog, too, where she talks about her challenges and triumphs as a writer, and in there, her humanity and humility shines as well. I haven’t ever had a chance to chat with Louise, but it remains one of my fondest hopes to do so one day. Poor lass. There are probably hundreds more like me. (Oh my gosh, she’s the very same age as me! Now I feel like I had better get busy!)

What was interesting was that this book was about infighting in the art world, about dirty tricks played by artist and critic and gallery owner.

I have to say, in my sojourns in the writing world, I haven’t found this sort of enmity. Writers that I meet are surprisingly supportive and charming and willing to help and gosh darn it, just nice people. I feel like I’ve joined some cozy fraternity where we all wish for one another’s success.

Well, mostly. I do hear mumblings against Dan Brown and 50 Shades, and there is envy and Schadenfreude and all that stuff, but it seems far less than I’ve experienced almost anywhere else and mostly in me when I can’t get my muse to get off her lounging bottom and help.

Given that we spend so much time alone, maybe it’s simply that we crave company when we get it? Or maybe we truly wish for success for everyone, in the hopes that more books and good books raises the level for all of us.

In any case, this week I’ve had cause to feel grateful for friends near and far, close and more distant, new and old.

I humbly thank you all.

On the HUNT!!! Mystery authors needed…

I am thrilled to have been made the chair of the 2015 Bloody Words Mystery Conference to be held here in gorgeous Halifax, NS. I think EVERYONE should come. Halifax is a glorious city, the conference is full of surprisingly nice people who have vented their anger at red lights and cell phones and traffic through fictional murdering, and the information and meetings with agents and writers and all is beyond compare.

And did I say how lovely the Halifax area is?

Check out Nova Scotia Webcams and have a look. In the next few weeks the tall ships are coming, so you can see them sailing around. You can see Peggy’s Cove Lighthouse on the cam, the shores all over, resorts and gold courses and ski hills and a lobster cam and a parrot cam.

If you come to the conference, you can even cadge a ride on one of the tall ships. But that’s in the future…

One of the big responsibilities of the chair and his/her bloody gang is lining up the guest speakers - especially the Canadian and International guests of honour. So I’m planning to read mysteries by the zillion, looking for those wonderful souls who write thrilling and day-stealing mysteries and who might be good conference speakers. I need suggestions! We all have favourites and tend to read them most, and I’m working on broadening my reading, but I can use help, guideposts to good places to hunt. Would love your help, dear reader…

Leave me a message with your favourites, or if you are already in Halifax, bring suggestions to our table at Word on the Street in September.

And keep your eyes peeled for Bloody Words 2014 in Toronto. It’ll be fantastic, too.