Tag Archives: writings

Some of my poetry attempts, published in OHForgery


Open Heart Forgery is a lovely free journal that “aims to energize Halifax writers from the grass roots up.” It does exactly that, giving poets a chance to see their words in print. I miss it greatly now that I’ve decamped to Ontario.

Before I left, they graciously accepted some of my doggerel. I’ve attached them below. Enjoy…

Photo by Free Photos.cc on Pexels.com

Gloomily Ruminating On the Day Ahead, or
waking to an email saying I have been rejected
by Dorothyanne Brown June 2014

Sleep tastes like cat hair in my mouth
I peer at my iPad, one eye,
The good one for reading,
Barely open, the other shut
So as not to confuse
“Thank you, but no,” the message says
Confirming again
My utter failure as a writer
My uselessness as a conveyor of emotion
My uncounted wasted hours
Cheer up, my friend says
You’ll do better, later
Think of Stephen King!
(He does not write, my friend)
I pull in my eviscerated organs
Grimace-grin
And plod on, blinking.

On receiving an unwelcome package in the mail
Dorothyanne Brown February 2015

Oh frabjous day, callooh callay
Said Carroll long ago
I rather imagine his joyous day
Was not like mine, oh no.

For on this day I smiled wide
To see a letter lie so
Against my lonely mailbox side
Where only bills seem to go

I clasped it in my sweaty hands
Excited as a child
Only to read on the return address
That it was THAT test inside

A fingertip of Death’s cool hand
Poked in my quivering belly
“It’s time to screen your poo,” he said
“A task most awfully smelly.”

It is a shabby life I lead
When the post is so unexciting
That even a test you smear and return
Seems ALMOST quite inviting.

Learning again
Sonnet by Dorothyanne Brown April 2013

When I was just a tiny girl
I used to want to find my boy
But now that my whole life’s awhirl
I find that men, they do annoy.

They want a gal to fill their tum
And keep them warm and often touched
Unless I cheer them, they are glum
And lay about and scratch and such.

But as I age I feel the ache
Of living lone and sans a mate
It seems I must a big step take
And find a chum before too late

To learn to care again is tough
I only hope to love enough.

Marginalia by Billy Collins


From the fabulous blog, Brainpickings.

MARGINALIA by BILLY COLLINSmarginalia2

Sometimes the notes are ferocious,
skirmishes against the author
raging along the borders of every page
in tiny black script.
If I could just get my hands on you,
Kierkegaard, or Conor Cruise O’Brien,
they seem to say,
I would bolt the door and beat some logic into your head.

Other comments are more offhand, dismissive –
“Nonsense.” “Please!” “HA!!” –
that kind of thing.
I remember once looking up from my reading,
my thumb as a bookmark,
trying to imagine what the person must look like
who wrote “Don’t be a ninny”
alongside a paragraph in The Life of Emily Dickinson.

Students are more modest
needing to leave only their splayed footprints
along the shore of the page.
One scrawls “Metaphor” next to a stanza of Eliot’s.
Another notes the presence of “Irony”
fifty times outside the paragraphs of A Modest Proposal.

Or they are fans who cheer from the empty bleachers,
Hands cupped around their mouths.
“Absolutely,” they shout
to Duns Scotus and James Baldwin.
“Yes.” “Bull’s-eye.” “My man!”
Check marks, asterisks, and exclamation points
rain down along the sidelines.

And if you have managed to graduate from college
without ever having written “Man vs. Nature”
in a margin, perhaps now
is the time to take one step forward.

We have all seized the white perimeter as our own
and reached for a pen if only to show
we did not just laze in an armchair turning pages;
we pressed a thought into the wayside,
planted an impression along the verge.

Even Irish monks in their cold scriptoria
jotted along the borders of the Gospels
brief asides about the pains of copying,
a bird singing near their window,
or the sunlight that illuminated their page –
anonymous men catching a ride into the future
on a vessel more lasting than themselves.

And you have not read Joshua Reynolds,
they say, until you have read him
enwreathed with Blake’s furious scribbling.

Yet the one I think of most often,
the one that dangles from me like a locket,
was written in the copy of Catcher in the Rye
I borrowed from the local library
one slow, hot summer.
I was just beginning high school then,
reading books on a davenport in my parents’ living room,
and I cannot tell you
how vastly my loneliness was deepened,
how poignant and amplified the world before me seemed,
when I found on one page

A few greasy looking smears
and next to them, written in soft pencil –
by a beautiful girl, I could tell,
whom I would never meet –
“Pardon the egg salad stains, but I’m in love.”